New toy time! The Fujifilm 80mm macro lens: first impressions

with No Comments

Since its release in November 2017, I’ve been lusting after the Fujifilm 80mm macro lens. Touted as Fuji’s first ‘real’ macro lens (I explain why their other macro lens isn’t really considered a ‘proper’ macro below), it’s had some amazing reviews, and I’d been suffering lens envy until I was at last able to get mine in April 2018.… Read More

Travelling back to the time before the pharaohs: the Predynastic Period

with No Comments

So, it’s a new year and I have a new project to get working on at the Garstang (hooray!). The museum’s next exhibition is planned for 2019 and shifts right back to the Predynastic Period; the time before the pharaohs. I don’t yet know what the detailed theme of the exhibition will be, though it is early days. What I do know, however, is that there’s a lot for me to be photographing, so my work’s already begun in earnest.… Read More

A year in photos: my top twelve photos of 2017

with No Comments

This past year has been an amazing year for me and my photography. From humble beginnings, taking a few photos for fun at the Garstang Museum, I’ve ended up photographing lots of beautiful ancient Egyptian artefacts, providing photography for the Book of the Dead exhibition and having my images up on the wall of the Tate Liverpool.

As I think back over the last year, and look forward to what 2018 has to bring for me, I thought I’d share some of my favourite photos and moments with you from the past twelve months. So, here’s my year in photos, month by month, for 2017.… Read More

Tate Exchange Workshop: looking back

with 1 Comment

It’s been a couple of weeks since the Tate Exchange workshop now. I’m happy to say that it well and I had such a great week; I was truly excited to see my photos on the wall of the Tate! (I can now tag myself ‘as seen at the Tate’ 🙂 .)

The Tate Exchange space is on the first floor of the building within one of the main galleries, right inside the main doorway:… Read More

Update from the Garstang: a Tate Workshop and a new video

with No Comments

It’s been a busy time of late.

Firstly, I wanted to share some exciting news with you. The Garstang has put in a successful bid for a week-long workshop at the Tate Liverpool (eek!). The workshop is based around the Book of the Dead exhibition, but will be art-focused, without the artefacts. It’ll feature my photography and the art of Leigh Gallagher, a comic-book artist. It’s running from 4–10 December, and I’ll be doing a photography workshop or two for it (details to come). Roland Enmarch will also be doing a couple of talks on the Book of the Dead and Egyptian funerary beliefs, and Leigh, I believe, will be doing some workshops as well.… Read More

Update from the Garstang: Predynastic pots and the Festival of Archaeology

with No Comments

My last session at the Garstang was another busy one. As well as getting on with more artefact photography, the museum was hosting a talk by Roland Enmarch on the Book of the Dead as part of the UK’s annual Festival of Archaeology.… Read More

Update from the Garstang: tiny amulets and a famous Egyptologist

with No Comments

Having had a bit of a break from photographing artefacts while the Book of the Dead exhibition was being put together, I started back at the Garstang a couple of weeks ago.

Whilst having a bit of an explore of the storerooms, I happened upon some boxes of amulets; I knew immediately these tiny little objects could be great fun to photograph.… Read More

Light Night opening of the Book of the Dead exhibition

with 2 Comments

After numerous hours in the photographic suite, many more vying with Photoshop, followed by several weeks of nail biting, hoping my photos would make the grade, finally, we got there. The Book of the Dead exhibition opened at the Garstang on 19 May 2017 as part of Liverpool Light Night.… Read More

Repairing papyri in Photoshop

with 3 Comments

Repairing papyri that have sustained damage over the millennia using Photoshop is something I want to spend some time doing on this project. Whilst employing a conservationist to take the papyri out of their glass containers and reassemble them is a costly and time-consuming affair, using Photoshop to digitally reassemble pieces is much less so (and more fun for me, too).

The process of repairing papyri
So, what is it I’m doing when I’m repairing papyri? The purpose is to pull together and realign broken sections. The example I’m using here is from a copy of the Amduat from the Garstang Museum. The Amduat was a funerary text whose contents showed the nighttime journey of the sun-god through the underworld. This particular copy belonged to a lady called Tjaty from the 21st Dynasty of ancient Egypt (1077–943 BC).… Read More

1 2
error: Alert: Content is protected !!

A3 and A4 posters of all open-edition prints now available! Please select 'Posters' from the product categories dropdown in the shop. Dismiss