The Book of the Dead exhibition has now moved over from the Garstang to their sister museum, the Victoria Gallery and Museum. It opened on 21 October, and I went along with my girls in its first week to have a nose and see how it’s worked out.… Read More
It’s been a busy time of late.
Firstly, I wanted to share some exciting news with you. The Garstang has put in a successful bid for a week-long workshop at the Tate Liverpool (eek!). The workshop is based around the Book of the Dead exhibition, but will be art-focused, without the artefacts. It’ll feature my photography and the art of Leigh Gallagher, a comic-book artist. It’s running from 4–10 December, and I’ll be doing a photography workshop or two for it (details to come). Roland Enmarch will also be doing a couple of talks on the Book of the Dead and Egyptian funerary beliefs, and Leigh, I believe, will be doing some workshops as well.… Read More
My last session at the Garstang was another busy one. As well as getting on with more artefact photography, the museum was hosting a talk by Roland Enmarch on the Book of the Dead as part of the UK’s annual Festival of Archaeology.… Read More
Having had a bit of a break from photographing artefacts while the Book of the Dead exhibition was being put together, I started back at the Garstang a couple of weeks ago.
Whilst having a bit of an explore of the storerooms, I happened upon some boxes of amulets; I knew immediately these tiny little objects could be great fun to photograph.… Read More
After numerous hours in the photographic suite, many more vying with Photoshop, followed by several weeks of nail biting, hoping my photos would make the grade, finally, we got there. The Book of the Dead exhibition opened at the Garstang on 19 May 2017 as part of Liverpool Light Night.… Read More
These last couple of weeks, I’ve been outside of the photographic suite and doing some glass-free photography (hooray!).
The two subjects I’ve photographed are:… Read More
Last week, I had my first proper session in the photographic suite. I spent the day in near darkness, photographing a couple of pages from the Book of the Dead.
But why were you in near darkness?, I hear you cry. Because of my arch-nemesis: reflections.
The papyri are encased in sheets of glass, which were cleaned beautifully by some of the museum interns before I photographed them. However, the now extra-clean glass was was extra shiny, and therefore extra reflective. Although the walls and ceiling in the suite are painted black, even low amounts of light were reflecting off the light fittings in the ceiling back down onto the glass.… Read More
I had my first session at the Garstang on Wednesday. It wasn’t a proper session, per se, but one for reviewing logistics and taking a few test shots. My first project with the museum is to photograph some papyri for Gina, so I wanted to test out my photographic equipment on them. I also got to go down to the photographic suite and see how the equipment there could compliment/enhance what I already have.… Read More